reading hans stevens
While slowly rotating around my centre in the middle of the PARK room, I vocalize from 10 am till 18 pm a selection of texts by Tilburg artist and thinker Hans Stevens, who died five years ago.
Next to their content and form, Hans' texts are interesting for me as an artist because of their absolute autonomy: his writings were never published and he never mentioned them as philsophy, literature or poetry. I see his texts as a sort of language-visual thinking about all sort of aspects of live, especially about its representation and translation.
In my own work I question myself about this concept of autonomy: where do my works belong? For whom should they exist? What is the relation to an audience? What is success?
Although it was Hans himself who gave me permission to publicly vocalize his texts, I could look at my reading as undermining his free thinking, his pleading for keeping all possibillities open, as summarized in his concept of AND: 'not the one OR the other, but the one AND the other is possible'.
In spite of Hans' ideas about autonomy, this reading is my own attempt to give space and time to his timeless and spaceless word-constructions, by vocalizing them for a day in the empty over-acoustic PARK hall, making the words literally dissolving into endless abstract sounds.
Visitors who want to listen to the text take a chair and position themselves close to me.
year | 2018 |
location | PARK Tilburg NL |
brief description | In the empty main hall of exhibition space PARK I read aloud Hans Stevens' texts for 8 hours, while rotating on my centre. |
photography | Rob Moonen |